Tonally divided, overwhelmingly average.
A Tarantino love letter that might just be his best picture since Pulp Fiction.
Not much to address with this, it’s an artificial regurgitation.
Strange, unnerving and crucially interesting. Another win for Aster.
A pleasing finish to this era and powerful indication for the next.
Truly the feel-good movie of the summer.
Does what it says on the tin, however, Wick is desperate for a more creative punch.